Welcome

Hello, and welcome to my website. I’m another one of those millions of happy wordsmiths continually tapping away creating a story and like many before me who strive to write a tale about realistic recollections with convincing characters, still find it a demanding yet enjoyable experience. However, I’ve found enjoyment is nearly always tempered with disappointment - the highs and lows, and if a writer can live with the lows without losing inspiration then I think it’s always possible to produce a good novel.

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The Scribe’s Secret

Perhaps the following words might give cause for reflection:

So what’s the secret to writing a good story - the writer might ask himself while touching the keys of his creation; how will his story stir sufficient interest and entice the masses to buy and read his attempts at becoming a Scribe?
Some days, as he started hitting down hard on the letters, the thought of publication never crossed his mind and the tack of the tale never seemed to falter as the story line just flowed, as if it was always there - a vein waiting to be tapped. However on other days, the characters seemed to have a boorish behaviour that started to stem the flow of words, causing disinterest. Then at the times when this writer’s block became large enough it would cause a word-dam with the ideas eventually drying up. During these periods he downed fingers and waited for the dry season to pass.
His absence from the plot was like a holiday and when he returned there was renewed vigor and insight; his revived creativeness became as one with the word-flow once again. This revival revealed the whole word-picture more clearly, the mistakes, the stale characters and new windows of wit opened; steering his fingers to furiously figure the future formation of facts.
He continued tapping letters tirelessly together to form meaning and his enthusiasm caused his thoughts to flow faster than his fingers could forge to the paper. Spelling errors abounded as he accidentally hit the wrong keys in his haste - less he miss the momentary muse of a particular thought.
Then he stopped and it suddenly dawned on him, the secret to a good tale - the scribe’s secret. It wasn’t in the telling of the tale or recording its reoccurring characters in print. The satisfying secret lay within the creation of a story from a thought, from an imaginative occurrence or dream - creating a tale from nothing, and fulfilling an urge that fires an inner flammable idea that once ignited can’t be extinguished.
He wasn’t writing for recognition or reward; he was writing for himself. The self contentment that caresses the soul and the lingering last word of the last sentence in a story - that moment can’t be measured, it needs to be enjoyed and experienced for a short time before it disappears. Until a time when another thought beckons the scribe to search for the elusive mystery of inspiration – to once again find the scribe’s secret.

Writing and Selling

Someone once said: If your motivation for writing a novel is to make money then perhaps you should try another occupation. Many aspiring authors discover after writing their first story that it isn’t unique and that the world is full of talented people who can write an excellent tale but only a very few actually receive recognition and get published for their efforts. I’m a fiction story writer and through my own experiences I’ve found that completing the manuscript, although a laborious task, is possibly only one of the many steps in the process of getting published.

From my own point of view I believe some of the basic attributes necessary for writers of fictional stories is to have lively imaginations, sufficient enough for them to become one with the characters and the plot - stirring a sense of interest and excitement within the reader, for without those elements the story will lack conviction.
Depending on whether you self-publish your book or are accepted by a major publisher, there are three other important tasks that need to be addressed in the long process towards successful publication that many might overlook or not even consider. They are: Promoting, Marketing and Selling. However, there might be some budding authors out in writers’ world who say: I don’t want to be a salesperson, but when you think of it we’ve all been salesmen or saleswomen sometime in our lives – we do it everyday.
One of the most frustrating hurdles we’ll have to confront is finding someone in the literary world who’ll read our story. If we want to sell the manuscript to a literary agent or book publisher we’ll need to prepare a covering letter and a brief two or three page synopsis to get our foot (or manuscript) in the door, and we’ll need to be enterprising in our selection of words because there’s thousands out there doing the same thing. The words we use will set the process in motion; words that’ll catch the editor’s eye and words that’ll create the first step in the sales pitch – creating interest and wanting to know more.

Rejection Letters Vs No Replies

I haven’t really decided what is worse, getting rejection letters or getting no replies. The success or failure of any project largely depends on one’s state of mind and maintaining a positive attitude becomes even more difficult after receiving fifty plus standard impersonal rejection replies in a month, with no explanation of why your manuscript masterpiece was declined. Their correspondence offers no clues to the reason why the carefully prepared synopsis and sample chapters were rejected, and there’s no way of knowing what to amend before sending in the next submission to another potential publisher.
I read an interesting article on the internet regarding writers handling rejection when Donald Maass (NY Literary Agent) was asked: ‘Do writers need to be hard-skinned to handle rejection and how do you find the grit to write a story that will attract attention. How can a writer give profoundly of themselves while also shielding the creative spirit against rejection?’
Donald Maass answered: ‘He regards rejection as information, not always quality information but information nevertheless - the rejection tells you that you have more work to do and sometimes points you in the right direction.’ When asked what he looked for in a synopsis, he replied: ‘Just a few basics, a hint of what’s different and don’t try to convince me you are a good writer because the purpose of the synopsis is to get me to read it – to create interest.’

Subsistence

Most of the time I take a philosophic view in these trying circumstances and search the web for another likely literary contact while, at the same time, reviewing the text of the words in my manuscript submission – you can never do enough editing. One of the positive thoughts that I rely on in my quest is that for every rejection slip received will mean you are getting closer to an acceptance letter – Murphy’s Law of successful sales probabilities.
Or you just accept that you aren’t a well-known celebrity and your literary work will never attract sufficient readers to justify a publishing company producing the book. It’s all about return on investment (ROT) and publishing houses are in business to make money – quick sales equates to fast money. Look how quickly a new book pops onto a retail shelf one week at a premium price and then three weeks later it’s on special at half the price. There must be an enormous margin for them to cut the price so dramatically. Has the book’s quality changed that quickly?